The symphonies of Beethoven speak to generation upon generation. His path-breaking Second Symphony reflects the lingering influence of his teacher, Joseph Haydn. Dan Coleman, too, has spoken of his debt to Haydn. He composed his Motif or Memory especially for oboe virtuoso Gustav Highstein. And Stravinsky’s enchanting Pulcinella glances back to Baroque giant Giovanni Pergolesi.
The symphonies of Beethoven speak to generation upon generation. His path-breaking Second Symphony reflects the lingering influence of his teacher, Joseph Haydn. Dan Coleman, too, has spoken of his debt to Haydn. He composed his Motif or Memory especially for oboe virtuoso Gustav Highstein. And Stravinsky’s enchanting Pulcinella glances back to Baroque giant Giovanni Pergolesi.
“A big, luscious tone and a technique as natural as breathing,” raves The Washington Post of Paul Huang who joins José Luis Gómez and the Tucson Symphony for Brahms’ romantic Violin Concerto. The 22-year-old Mozart composed his joyous Symphony No. 31 during his eight months in Paris. And discover Grammy-nominated Spanish-American composer Andrea Casarrubios. Her […]
“A big, luscious tone and a technique as natural as breathing,” raves The Washington Post of Paul Huang who joins José Luis Gómez and the Tucson Symphony for Brahms’ romantic Violin Concerto. The 22-year-old Mozart composed his joyous Symphony No. 31 during his eight months in Paris. And discover Grammy-nominated Spanish-American composer Andrea Casarrubios. Her […]
“A big, luscious tone and a technique as natural as breathing,” raves The Washington Post of Paul Huang who joins José Luis Gómez and the Tucson Symphony for Brahms’ romantic Violin Concerto. The 22-year-old Mozart composed his joyous Symphony No. 31 during his eight months in Paris. And discover Grammy-nominated Spanish-American composer Andrea Casarrubios. Her […]
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