The Civic Orchestra of Tucson (COT) will present two complimentary symphony concerts to inaugurate its 51st season in Marana and Tucson. To commence the performance, COT will perform the spirited Festive Overture by Dmitri Shostakovich. If you enjoy a big brass fanfare and lively melodies, this is the piece for you. The exquisite Clarinet Concerto […]
The great strength and nobility of Brahms’ Fourth and final Symphony places it among his most profound achievements. The Tucson Symphony’s Dario Brignoli is the soloist in Carl Maria von Weber’s delightful First Clarinet Concerto. And the inner glow of Jennifer Higdon’s Blue Cathedral will soothe long after its sumptuous sound fades into silence. Young […]
The great strength and nobility of Brahms’ Fourth and final Symphony places it among his most profound achievements. The Tucson Symphony’s Dario Brignoli is the soloist in Carl Maria von Weber’s delightful First Clarinet Concerto. And the inner glow of Jennifer Higdon’s Blue Cathedral will soothe long after its sumptuous sound fades into silence. Young […]
The great strength and nobility of Brahms’ Fourth and final Symphony places it among his most profound achievements. The Tucson Symphony’s Dario Brignoli is the soloist in Carl Maria von Weber’s delightful First Clarinet Concerto. And the inner glow of Jennifer Higdon’s Blue Cathedral will soothe long after its sumptuous sound fades into silence. Young […]
Each work echoes with sweet nostalgia. Smetana’s graceful, flowing “The Moldau” is a memory of his Czech homeland. The Third Symphony of Jean Sibelius recalls a Mozartian intimacy then adds a bristling urgency. Richard Strauss wrote his first horn concerto at the age of 19 for his father. He would wait 60 years before composing […]
Each work echoes with sweet nostalgia. Smetana’s graceful, flowing “The Moldau” is a memory of his Czech homeland. The Third Symphony of Jean Sibelius recalls a Mozartian intimacy then adds a bristling urgency. Richard Strauss wrote his first horn concerto at the age of 19 for his father. He would wait 60 years before composing […]
Each work echoes with sweet nostalgia. Smetana’s graceful, flowing “The Moldau” is a memory of his Czech homeland. The Third Symphony of Jean Sibelius recalls a Mozartian intimacy then adds a bristling urgency. Richard Strauss wrote his first horn concerto at the age of 19 for his father. He would wait 60 years before composing […]
The symphonies of Beethoven speak to generation upon generation. His path-breaking Second Symphony reflects the lingering influence of his teacher, Joseph Haydn. Dan Coleman, too, has spoken of his debt to Haydn. He composed his Motif or Memory especially for oboe virtuoso Gustav Highstein. And Stravinsky’s enchanting Pulcinella glances back to Baroque giant Giovanni Pergolesi.
The symphonies of Beethoven speak to generation upon generation. His path-breaking Second Symphony reflects the lingering influence of his teacher, Joseph Haydn. Dan Coleman, too, has spoken of his debt to Haydn. He composed his Motif or Memory especially for oboe virtuoso Gustav Highstein. And Stravinsky’s enchanting Pulcinella glances back to Baroque giant Giovanni Pergolesi.
The symphonies of Beethoven speak to generation upon generation. His path-breaking Second Symphony reflects the lingering influence of his teacher, Joseph Haydn. Dan Coleman, too, has spoken of his debt to Haydn. He composed his Motif or Memory especially for oboe virtuoso Gustav Highstein. And Stravinsky’s enchanting Pulcinella glances back to Baroque giant Giovanni Pergolesi.
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